The world vibrates continuously, and I shape these vibrations like seascapes or concentric circles... Vibration is what one feels in the transition to another state or space, whether visible or not. These vibrations are born from the passage of fire into the space in situ.
Propuestas
Since 1986, I've had to preserve a silver-based record of my creations, as they were ephemeral. This photographic work continues methodically and digitally, especially for the paintings titled 'The Filters of the Sky'; also as a way to gain perspective and understand what is truly at work within the painting.
The "Propuestas" are an attempt to make visible a space of contradiction.
They are also proposals for murals.
Paintings of ash and fire
The work on the horizon emerged around the year 2000, during the preparation of my film Eternel Regard (2005); it was about creating a new horizon for women in general.
The ash paintings stem from a blend of orange, black, white, and rose ultramarine, rendered in oil on canvas since 2008. I call them Oscillators (see my publication). a fresco).
Peintures de feu, polyptique – 5 panneaux de 40x120cm, huile sur bristol (2) – © Elisabeth Leverrier
Peintures de feu, polyptique – 5 panneaux de 40x120cm, huile sur bristol (3) – © Elisabeth Leverrier
Les Veilleuses-eurs
These paintings were initiated by fire, with the scorched traces of wood as their starting point.
A sketch of a face I imagined helped me embody the feminine and masculine aspects of the four Watchers.
A sense of the cosmic: the notion of watchfulness is already present in my work; but what watches over us? Is Nature itself inhabited?
Filtres du ciel
Created in 2002 for the film "Eternal Regard"
